Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 ñáîðíèê
| Ñòóäèè
| A Voluptuous Tsarina in the Republic of Letters? Catherine “the Great” in Leopold von Sacher-Masoch’s Russian Court Tales and Malcolm Bradbury’s To the Hermitage. Comparisons and Interactions Withinin/Across Cultures. Ed. L. Kostova, I. Sarieva, M. Irimia. Veliko Turnovo: St. Cyril and St. Methodius University Press, 2012, 201-232. |
21.10.2014 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Ñòàòèè
| Women in Bulgaria: Between the Legacy of the Past and the Challenges of the Present. European Feminist Initiative, http://efi-ife.org/index.php/en/. 2012. |
21.10.2014 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 ðåôåðèðàíè èçäàíèÿ
| Ñòàòèè
| Removing “Erroneous Misconceptions”: Strategies of Intercultural Mediation in Krystyn Lach-Szyrma’s Letters, Literary and Political on Poland (1823). Sprache der Kultur und Kultur der Sprache. Hrsg. von P. Petkov, Sn. Boycheva, Ant. Dimitrova. VelikoTurnovo: Faber, 2012, 210-217. |
21.10.2014 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 ðåôåðèðàíè èçäàíèÿ
| Ñòàòèè
| (Re-)Gaining Prophetic Authority through the Poetic Genius: William Blake and Eighteenth-Century Religious Enthusiasm, Peregrinations of the Text: Reading, Translation, Rewriting. Essays in Honour of Alexander Shurbanov, E. Pancheva, Ch. Stamenov, M. Pipeva, G. Niagolov (eds.). Sofia: St. Kl. Ohridski University Press, 2013, 189-200. |
21.10.2014 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Ìîíîãðàôèè
| Tales of the Periphery: the Balkans in Nineteenth-Century British Writing (in English) (240 pp.). VelikoTurnovo: St. Cyril and St. Methodius University Press, 1997. |
21.10.2014 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Ìîíîãðàôèè
| Liberating the Poetic Genius: William Blake and Mid- and Late-Eighteenth-Century Literary History (in English). (232 pp.) Veliko Turnovo: Faber, 1999. |
21.10.2014 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Öèòèðàíèÿ
| Kostova, L., Tales of the Periphery: the Balkans in Nineteenth-Century British Writing, VelikoTurnovo: St. Cyril and St. Methodius, 1997.
Öèòèðàíî â:
Ïåòêîâ, Ïàâåë: Petkov, Pavel, 2013: çàùèòåíà äèñåðòàöèÿ çà ïðèñúæäàíå íà ÎÍÑ „äîêòîð“: Îáðàçè íà Êèòàé â àíãëîåçè÷íàòà ïúòåïèñíà ëèòåðàòóðà íà XX âåê: ñ. 1, ñ. 2, ñ. 15, ñ. 26, ñ. 29, ñ. 30, ñ. 31, ñ. 38, ñ. 104, ñ. 105, ñ. 226, ñ. 228, ñ. 230, ñ. 263 è ò. í.
Drace-Francis, Alex, 2013: Review of The British and the Balkans by Eugene Michail (Continuum, 2011), Twentieth-Century British History, http://tcbh.oxfordjournals.org/content/early/2013/03/14/tcbh.hwt002.extract.
|
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Öèòèðàíèÿ
| Kostova, L., Tales of the Periphery: the Balkans in Nineteenth-Century British Writing, VelikoTurnovo: St. Cyril and St. Methodius, 1997.
Öèòèðàíî â:
Ïåòêîâ, Ïàâåë: Petkov, Pavel, 2013: çàùèòåíà äèñåðòàöèÿ çà ïðèñúæäàíå íà ÎÍÑ „äîêòîð“: Îáðàçè íà Êèòàé â àíãëîåçè÷íàòà ïúòåïèñíà ëèòåðàòóðà íà XX âåê: ñ. 1, ñ. 2, ñ. 15, ñ. 26, ñ. 29, ñ. 30, ñ. 31, ñ. 38, ñ. 104, ñ. 105, ñ. 226, ñ. 228, ñ. 230, ñ. 263 è ò. í.
|
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Öèòèðàíèÿ
| Kostova, Ludmilla and IonaSarieva, Introduction to Comparisons and Interactions Within/ Across Cultures, Ludmilla Kostova, Iona Sarieva and Mihaela Irimia (eds.), Veliko Turnovo: St. Cyril and St. Methodius University Press, 2012, 17-32.
(2) Öèòèðàíî â:
Öîíåâà, Ïåòÿ: Tsoneva, Petya, 2013: äèñåðòàöèÿ çà ïðèñúæäàíå íà ÎÍÑ „äîêòîð“: Ïåðñïåêòèâè âúðõó äîìà è áåçäîìíîñòòà â òâîð÷åñòâîòî íà Àíòîàí äüî Ñåíò-Åãçþïåðè è Ñàëìàí Ðóøäè (ÂÒÓ „Ñâ. ñâ. Êèðèë è Ìåòîäèé“): ñ. 6, ñ. 8, ñ. 12, ñ. 24, ñ. 58
|
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Öèòèðàíèÿ
| Kostova, Ludmilla. “Writing Across the Native/Foreign Divide: the Case of Kapka Kassabova’s Street Without a Name (2008).” Travel and Ethics. Eds. Corinne Fowler, Charles Forsdick and Ludmilla Kostova. London and New York: Routledge, 2013.165-182.
(1) Öèòèðàíî â:
Öîíåâà, Ïåòÿ: Tsoneva, Petya, 2013: äèñåðòàöèÿ çà ïðèñúæäàíå íà ÎÍÑ „äîêòîð“: Ïåðñïåêòèâè âúðõó äîìà è áåçäîìíîñòòà â òâîð÷åñòâîòî íà Àíòîàí äüî Ñåíò-Åãçþïåðè è Ñàëìàí Ðóøäè (ÂÒÓ „Ñâ. ñâ. Êèðèë è Ìåòîäèé“): ñ. 12.
|
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Äîêëàäè
| ‘DISCOVERING‘ EUROPEAN ‘SLAVDOM’: GEORGINA MUIR MACKENZIE AND ADELINE PAULINA IRBY ‘ACROSS THE CARPATHIANS’ AND IN ‘THE SLAVONIC PROVINCES OF TURKEY-IN-EUROPE’: ìåæäóíàðîäíà èíòåðäèñöèïëèíàðíà êîíôåðåíöèÿ “Borders and Crossings/Seuilset Traverses”, Liverpool Hope University, Ëèâúðïóë, Âåëèêîáðèòàíèÿ, þëè 2013 ã. |
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
Äðóãè
| Äîêëàäè
| COUNTERING THE THREAT OF RACIAL DECLINE: THE CASE OF BRAM STOKER’S THE LADY OF THE SHROUD: Þáèëåéíà êîíôåðåíöèÿ íà ÂÒÓ, ìàé 2013 ã. |
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 ðåôåðèðàíè èçäàíèÿ
| Ñòàòèè
| Charles Forsdick, Corinne, Fowler and LudmillaKostova. Introduction: Ethics on the Move, Travel Writing and Ethics: Theory and Practice. Corinne, Fowler, Charles Forsdick and Ludmilla Kostova (eds). London and New York: Routledge, 2013. 1-14. ISBN 978-0-415-99539-9 |
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 ðåôåðèðàíè èçäàíèÿ
| Ñòóäèè
| Writing across the Native/Foreign Divide: the Case of Kapka Kassabova’s Street Without a Name. Travel Writing and Ethics: Theory and Practice. Corinne Fowler, Charles Forsdick and Ludmilla Kostova (eds.). London & New York: Routledge, 2013, 165-182. ISBN 978-0-415-99539-9 |
28.11.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ïóáëèêóâàíè ðåöåíçèè, ñòàíîâèùà è îòçèâè â íàó÷íè/àêàäåìè÷íè ñïèñàíèÿ
| Theorising Europe’s ‘Wild East’ (review of Imagining the Balkans and Inventing Ruritania), The European English Messenger, Vol. X/1 (Spring 2001), 71-73. ISSN 0960 4545 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ïóáëèêóâàíè ðåöåíçèè, ñòàíîâèùà è îòçèâè â íàó÷íè/àêàäåìè÷íè ñïèñàíèÿ
| Review of Hammond, Andrew (ed.). The Balkans and the West. Constructing the European Other, 1945-2003. Ashgate Publishing Limited, Aldershot and Burlington, VT, 2004.xxiii + 236. Bibliography. Index. ISBN 0754632342. The Slavonic and Eastern European Review, 83, 4, 2005, 751-5. ISSN 0037 6795 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Margarita Churova and Ludmilla Kostova, Preface to Britain and Europe: the Case for Women, Sofia: St. Kliment Ohridski University Press, 2001. ISBN 954-07-1356-0 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Charles Vallancey and G. S. Rakovsky: In Search of the ‘Roots’ of Bulgarian and Irish Identities (in Bulgarian), Evropa 2001 5 (2008), 17-18 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Defining an Ethics of Travel: Lady Mary Wortley Montagu and the Balkans. In: Pulverfass Balkan. Mythos oder Realitaet, Roehrig Universitaetsverlag, 2001, 163–187 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Constructing Oriental Interiors: Two Eighteenth-Century Women Travellers and Their Easts. In: Travel Writing and the Female Imaginary, Vita Fortunati, Rita Monticelli andMaurizio Ascari (eds.), Bologna: Patron Editore, 2001, 17–33 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Fowler and Ludmilla Kostova, Cultural Terrae Incognitae: Ongoing Ethical and Theoretical Dilemmas, Journeys – The International Journal of Travel and Travel Writing, Vol.IV/1 (2003), 1-5. ISSN 1465–2609 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Meals in Foreign Parts: Food in Writing by Nineteenth-Century British Travellers to the Balkans, Journeys – The International Journal of Travel and Travel Writing, Vol. IV/1(2003), 21-44. Special issue edited by Corinne Fowler and Ludmilla Kostova |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Corinne Fowler and Ludmilla Kostova, Cultural Terrae Incognitae: Ongoing Ethical and Theoretical Dilemmas, Journeys – The International Journal of Travel and Travel Writing,Vol. IV/1 (2003), 1-5. Special issue edited by Corinne Fowler and Ludmilla Kostova |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Taking Care of Nations: Rebecca West’s Black Lamb and Grey Falcon and the Ethics of Self and Other. In: TRANS, No 15 (2004), http://www.inst.at/trans/index.htm. ISSN1560-182X. *Åëåêòðîííîòî ñïèñàíèå TRANS ñå ðåôåðèðà â MLA International Bibliography |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Îðèåíòàëñêè íåëåïèöè: (íå)ïðîñâåòåíèÿò ñìÿõ íà ëåéäè Åëèçàáåò Êðåéâúí, ñï. “Ëèòåðàòóðíà ìèñúë”,. XLVIII (2004), 1, 60-69. ISSN 0324-0495 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Malcolm Bradbury’s To the Hermitage: Fiction, History, and the East/West Divide. In: Trans, No 16 (2006), http://www.inst.at/trans/index.htm. ISBN 3-9501947-4-6 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Ludmilla Kostova, Yonka Krasteva and Svilen Stanchev, Introduction, America Across Cultures: Europe and Beyond. Veliko Turnovo: PIC Publishers, 2006. ISBN954-736-103–1 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Malcolm Bradbury’s To the Hermitage: Fiction, History, and the East/West Divide. In: Trans, No 16 (2006), http://www.inst.at/trans/index.htm. ISSN 1560-182X (peerreviewed electronic journal) |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Degeneration, Regeneration and the Moral Parameters of Greekness in Thomas Hope’s Anastasius, Or Memoirs of a Greek, Comparative Critical Studies 4. 2 (2007), SpecialIssue: “Literature Travels”, Benjamin Colbert and Glyn Hambrook (eds.), 177-192 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Degeneration, Regeneration and the Moral Parameters of Greekness in Thomas Hope’s Anastasius, Or Memoirs of a Greek, Comparative Critical Studies 4. 2 (2007), SpecialIssue: “Literature Travels”, Benjamin Colbert and Glyn Hambrook (eds.), 177-192 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Claiming a ‘Great Briton’ for Bulgaria: Reflections on Byron’s Bulgarian Reception (1880s-1920s), Byron: Heritage and Legacy, ed. Cheryl A. Wilson, New York: Palgrave, 2008, 45-60 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Getting to Know the Big Bad West? Images of Western Europe in Bulgarian Travel Writing of the Communist Era (1945 – 1985), Balkan Departures. Travel Writing from SouthEastern Europe, Wendy Bracewell and Alex Drace-Francis (eds.), Oxford: Berghahn Books, 2009, 105-36. (ïðåèçäàäåíà ïðåç ) |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Viewing Mozart and His Magic Singspiel through Seriocomic Spectacles: W. H. Auden’s “Metalogue to The Magic Flute,”Sabine Coelsch-Foisner, Dorothea Flothow and Wolfgang Gortschacher (eds.). Mozart in Anglophone Cultures. SEl&C Vol. 4. Frankfurt, Main: Peter Lang, 2009, 159-73 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Defining the Literary Parameters of Englishness in Bulgarian Academic Culture: the Case of Marco Mincoff’s History of English Literature. In: English Studies on This Side.Post-2007 Reckonings, Suman Gupta and Milena Katsarska (eds.), Plovdiv: Plovdiv University Press, 2009, 75 -96 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Postcommunist and Postcolonial Voices Singing in Unison? Reflections on an Ongoing Critical Practice, Boundaries, Boundary Crossing, Cross-Boundary Transfer, VladimirTrendafilov and Irena Vassileva (eds.), Blagoevgrad: South Western University Press, 2009, 74 -86 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Of Literary Representations of Violence and their Ethical Coordinates. In: Literary into Cultural History, Mihaela Irimia and Dragos Ivana (eds.), Bucharest: Institutul CulturalRoman, 2010, 110 – 122 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Travel and (Un)Desirable Intimacies: Julia Pardoe, Georgina Muir Mackenzie, Adeline Paulina Irby and Fanny Janet Blunt in South Eastern Europe, èçä. â ðóáðèêàòà Aktuell íà Internationales Forschungszentrum Kulturwissenschaften (IFK), http://alt.ifk.ac.at/aktuell.php?e=14 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| * Ñïèñàíèå Journeys – The International Journal of Travel and Travel Writing ñå ðåôåðèðà â MLA International Bibliography |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| *Åëåêòðîííîòî ñïèñàíèå TRANS ñå ðåôåðèðà â MLA International Bibliography |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Travel and (Un)Desirable Intimacies: Julia Pardoe, Georgina Muir Mackenzie, Adeline Paulina Irby and Fanny Janet Blunt in South Eastern Europe, èçä. â ðóáðèêàòà Aktuell íà Internationales Forschungszentrum Kulturwissenschaften (IFK), http://alt.ifk.ac.at/aktuell.php?e=14 |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ó÷åáíèöè
| Liberating the Poetic Genius: William Blake and Mid- and Late- Eighteenth-Century Literary History. (232 pp.) Veliko Turnovo: Faber |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Äèñåðòàöèè
| 01.1995 Liberating the Poetic Genius: William Blake and Mid- and Late Eighteenth-Century Literary History |
25.06.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Love and Death Across Cultures: Richard Henry Savage's In the Old Chateau, a Story of Russian Poland and Late Nineteenth-Century American Images of EasternEurope. In: Dialogues. American Studies in an International Context, Milena Katzarska (ed.), Plovdiv: Zombori, 2002, 199-206 |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| A Fatal Adventure in Europe's ‘Wild East’: Fantasy and Fear in Julian Osgood Field's "A Kiss of Judas", University of Bucharest Review. AJournal of Literary and Cultural Studies, vol. IV, No. 3-4, 2002, 85-107 |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Straining the Limits of Interpretation: Bram Stoker's Dracula and Its Eastern European Contexts," Post/modern Dracula. From Victorian Themes toPostmodern Praxis, ed. John Bak, (Newcastle: Cambridge Scholars Publishing, 2007, pp. 13-30. Ñòóäèÿòà å ïðåèçäàäåíà â The Journal of the Modern Art History Department, Faculty of Philosophy, University of Belgrade 6 (2010),69-82, ñ ìîå ñúãëàñèå è ñúñ ñúãëàñèåòî íà ðåäàêòîðà íà Post/modern Dracula. From Victorian Themes to Postmodern Praxi |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| 'Racial' Politics and Personal Ethics in Thomas Hope's Anastasius, or Memoirs of a Greek, Ñòóäèÿòà èçëèçà â ïðèòóðêàòà êúì ïúðâîòî èåäèíñòâåíî ñúâðåìåííî èçäàíèå íà ðîìàí îò íà÷àëîòî íà XIX â. , Thomas Hope’s Anastasius in the 21st Century, Glasgow, KY: The Long Riders’ Guild Press, 2007, 492-512 |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Straining the Limits of Interpretation: Bram Stoker's Dracula and Its Eastern European Contexts," Post/modern Dracula. From Victorian Themes toPostmodern Praxis, ed. John Bak, (Newcastle: Cambridge Scholars Publishing, 2007, pp. 13-30. Ñòóäèÿòà å ïðåèçäàäåíà â The Journal of the Modern Art History Department, Faculty of Philosophy, University of Belgrade 6 (2010),69-82, ñ ìîå ñúãëàñèå è ñúñ ñúãëàñèåòî íà ðåäàêòîðà íà Post/modern Dracula. From Victorian Themes to Postmodern Praxi |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Fathers Good and Bad: Mary Shelley's Matilda and the Issue of Female Education. In: Britain and Europe: the Case for Women, Margarita Churova and Ludmilla Kostova (eds.), Sofia: St. Kliment Ohridski University Press, 2001, 76-191. ISBN 954-07-1356-0 |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| A Gateway to Europe's Orient(s): Austria in Nineteenth-Century British Travel Writing and Vampire Literature. In: Austria and Austrians: Images in WorldLiterature, ed. Wolfgang Gortschacher and Holger Klein. Tubingen: Stauffenburg, 2003, 93-105 |
27.05.2013 |
Õîí. ïðîô. ä-ð Ëþäìèëà Êîíñòàíòèíîâà Êîñòîâà
|
 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Travelling Intellectuals and Royal Collectors: Malcolm Bradbury's To the Hermitage as a Parable of Power. In: The Transatlantic and the Transnational in a Changing Cultural Context, Madeleine Danova (ed.), Sofia: Polis Publishing, 2005, 259-269. ISBN 954-796-012-1 |
27.05.2013 |