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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Õóäîæåñòâåíîòâîð÷åñêà è ñïîðòíà äåéíîñò
| “Êîä Âèçóàëíî” èçëîæáà íà ñòóäåíòè è ïðåïîäàâàòåëè îò ñïåöèàëíîñò ÏÎÈÈ, 4.12.2023, ÕÃ „Åëåíà Êàðàìèõàéëîâà“, Øóìåí |
08.12.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Õóäîæåñòâåíîòâîð÷åñêà è ñïîðòíà äåéíîñò
| „Çèìåí ñàëîí íà íîâîïàçàðñêè õóäîæíèöè“ èçëîæáà, ÎÕÃ „Ïåòúð Ïåðñåíãèåâ“, Íîâè ïàçàð, 8.12.2023 |
08.12.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ãîäèøíèê
| Ñòóäèè
| Õðàìúò „Ñâ. âì÷ê Äèìèòúð“ âúâ Âúðáèöà, Øóìåíñêà îáëàñò. Ãîäèøíèê íà Ñîôèéñêèÿ óíèâåðñèòåò „Ñâ. Êëèìåíò Îõðèäñêè“, Ôàêóëòåò ïî íàóêè çà îáðàçîâàíèåòî è èçêóñòâàòà, Êíèãà èçêóñòâà, Òîì 115, Ãîäèíà III, 2022, ISSN 2738-7062, ñ. 271-290 |
25.09.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ñáîðíèê
| Ñòàòèè
| Íîâè äàííè çà èêîíîãðàôñêîòî íàñëåäñòâî íà Øóìåí è íåãîâîòî ìÿñòî íà êóëòóðíàòà êàðòà íà Áúëãàðèÿ. Ñáîðíèê „Îáðàçîâàíèå, ãåîãðàôèÿ, êóëòóðåí òóðèçúì“ â ÷åñò íà 60-òà ãîäèøíèíà íà ïðîô. ä.í. Ñòåëà Äåðìåíäæèåâà. Â. Òúðíîâî: ÓÈ \"Ñâ. ñâ. Êèðèë è Ìåòîäèé\", 2023, ÷àñò II, ñòð. 902-918, ISBN 978-619-208-341-0 |
07.08.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Ñòàòèè
| The Mandorla Symbol in Byzantine and Post-Byzantine Iconography of the Dormition: Function and Meaning. Religions 14/4, 2023, 473; DOI: 10.3390/rel14040473 Indexed in: (SCOPUS – Q1) |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Ñòàòèè
| “Blachernitissa” or “Axion Estin”: On the name of the fresco of the Mother of God from Tomb E of the Chora monastery. De Medio Aevo 11/2, 2022, pp. 253-262. Indexed in: (SCOPUS – Q1) and (Web of Science - The Emerging Sources Citation Index is a citation index Thomson Reuters/Claritive Analytics) IF |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Ñòàòèè
| From Word to Image: The “Hesychastic type” of Mandorla. De Medio Aevo 11/1, 2022, pp. 5-23. Indexed in: (SCOPUS – Q1) and (Web of Science - The Emerging Sources Citation Index is a citation index Thomson Reuters/Claritive Analytics) |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ãîäèøíèê
| Öèòèðàíèÿ
| Todorova, R. Orthodox Cosmology and Cosmography: The iconographic mandorla as Imago Mundi. EIKON IMAGO 6, (2014/2), pp. 77-94
Öèòèðàíî â:
Íèêîëîâà, Ì. Ïðàçíèêúò „Óñïåíèå íà Ïðåñâåòà Áîãîðîäèöà”: èñòîðè÷åñêè è èêîíîãðàôñêè îñîáåíîñòè. Ãîäèøíèê íà ØÓ \"Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè\", Òîì XIX D, Øóìåí: ÓÈ \"Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè\", 2015, ñòð. 637-642, ñòð. 640 |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Ñ èìïàêò ôàêòîð
| Ñòàòèè
| Icons as Maps: Cartographic Icons in Orthodox Art. EIKON IMAGO 7, (2015/1), pp. 13-30
Indexed in: (SCOPUS (Q2) Web of Science - The Emerging Sources Citation Index is a citation index Thomson Reuters/Claritive Analytics |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Ñòàòèè
| Orthodox Cosmology and Cosmography: The iconographic mandorla as Imago Mundi. EIKON IMAGO 6, (2014/2), pp. 77-94
Indexed in: (SCOPUS (Q2) Web of Science - The Emerging Sources Citation Index is a citation index Thomson Reuters/Claritive Analytics) |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Ñ èìïàêò ôàêòîð
| Ñòàòèè
| Visualizing the Divine: Mandorla as a Vision of God in Byzantine Iconography. IKON Journal of Iconographic Studies, 6, 2013, pp. 287-296
Indexed in: SCOPUS (Q4 ) / Web of Science - The Emerging Sources Citation Index is a citation index Thomson Reuters/Claritive Analytics |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Öèòèðàíèÿ
| Todorova, R. Orthodox Cosmology and Cosmography: The iconographic mandorla as Imago Mundi. EIKON IMAGO 6, (2014/2), pp. 77-94
Cited in:
Bruckner, I. “Baptismal Aesthetics In-Between: Reflections on the Interplay of Text, Rite, and Image in the Sanctuaries of Ravenna”, Religions, 2023, 14(6), 743; https://doi.org/10.3390/rel14060743, p. 2, 12, 18 |
22.06.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Äðóãè
| Öèòèðàíèÿ
| 1. Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
Sabourin, C. A. “Mary Seton Watts Artist, Activist, Feminist”. MA Thesis in Art History, University of Monreal, Faculty of Arts and Science. 2021, pp. 118, p. 101
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29.05.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
 ñáîðíèê
| Öèòèðàíèÿ
| Òîäîðîâà, Ð. Êîíöåïòóàëèçàöèÿòà íà îáðàçèòå íà ñâ. ñâ. Êèðèë è Ìåòîäèé â èêîíîãðàôñêèÿ ìîäåë íà Íèêîëà Âàñèëåâ îò Øóìåí. Â: „Limes Slavicus 2: Êóëòóðíè êîíöåïòè íà ñëàâÿíñòâîòî“, Øóìåí: ÓÈ „Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè”, 2017, ñ. 78-95, ISSN 2603-3127
Cited in:
Ivanova, T. “St Methodius and the Image of the Last Judgment”. In: Ivanov, E. and Naydenov, I. (eds). Der heilige Methodius, Bulgarien und Europa. Series: Eastern Church Identities, Vol. 12. Schoningh: BRILL, 2023, pp. 158–173, ISBN: 978-3-657-79015-9
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28.03.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. Symbol and Meaning: The Concept of God’s Glory in the Late Byzantine Iconograpgy. Shumen: Konstantin Preslavsky University, 2020, 204 pp., 29 fig.; ISBN 978-619-201-418-6
Cited in:
van Benthum, J. Godsvisioenen in veertiende- en vroeg vijftiendeeeuwse devotievoorstellingen. Een casestudie naar een mogelijke relatie tussen Jan van Eycks miniatuur De Vorst in Gebed en de Cleveland Annunciatie. Masterscriptie Kunstgeschiedenis. Radboud Universiteit en leerkracht op Basisschool de Lanteerne, Nederland, 2023, pp. 136, figs. 51, p. 38
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28.03.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Äðóãè
| Öèòèðàíèÿ
| Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
van Benthum, J. Godsvisioenen in veertiende- en vroeg vijftiendeeeuwse devotievoorstellingen. Een casestudie naar een mogelijke relatie tussen Jan van Eycks miniatuur De Vorst in Gebed en de Cleveland Annunciatie. Masterscriptie Kunstgeschiedenis. Radboud Universiteit en leerkracht op Basisschool de Lanteerne, Nederland, 2023, pp. 136, figs. 51, p. 38
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28.03.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Äðóãè
| Öèòèðàíèÿ
| Todorova, R. “Visualizing the Divine: Mandorla as a Vision of God in Byzantine Iconography”, IKON Journal of Iconographic Studies, 6, 2013, pp. 287-296
Cited in:
van Benthum, J. Godsvisioenen in veertiende- en vroeg vijftiendeeeuwse devotievoorstellingen. Een casestudie naar een mogelijke relatie tussen Jan van Eycks miniatuur De Vorst in Gebed en de Cleveland Annunciatie. Masterscriptie Kunstgeschiedenis. Radboud Universiteit en leerkracht op Basisschool de Lanteerne, Nederland, 2023, pp. 136, figs. 51, p. 38, 39 |
28.03.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Äðóãè
| Öèòèðàíèÿ
| Todorova, R. “New Religion – New Symbolism: Adoption of Mandorla in the Christian Iconography”, Collection of Scientific Works IX, NIS AND BYZANTIUM - “Towards the celebration of the Edict of Milan anniversary”, Nis: NKC, 2011, pp. 47-64
Cited in:
van Benthum, J. Godsvisioenen in veertiende- en vroeg vijftiendeeeuwse devotievoorstellingen. Een casestudie naar een mogelijke relatie tussen Jan van Eycks miniatuur De Vorst in Gebed en de Cleveland Annunciatie. Masterscriptie Kunstgeschiedenis. Radboud Universiteit en leerkracht op Basisschool de Lanteerne, Nederland, 2023, pp. 136, figs. 51, p. 37, 38, 39 |
28.03.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| 6. Todorova, R. The Migrating symbol: Vesica Piscis from the Pythagoreans to the Christianity. Proceedings of the 1-th International Conference „HARMONY OF NATURE AND SPIRITUALITY IN STONE“, held at 17-18 March 2011 in Kragujevac, Serbia, pp. 217-228
Cited in:
Roibu, R.T. Visual geometric systems, between objective and subjective. PhD Thesis. George Enescu National University of Arts Iasi Faculty of Visual Arts and Design University Doctoral Studies, Visual Arts Field |
28.03.2023 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Ñ èìïàêò ôàêòîð
| Öèòèðàíèÿ
| Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
Darilek, M. “Asthetische Reflexion in nuce: Zu Mandel und Mandelkern in der mittelalterlichen Literatur und Kultur, insbesondere bei Konrad von Wurzburg”, Literaturwissenschaftliches Jahrbuch, Vol. 63 (2022), Iss. 1: pp. 9–59, https://doi.org/10.3790/ljb.63.1.9, p. 58
Indexed in: (SCOPUS, Web of Science) |
06.01.2023 |
|
Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
 ñáîðíèê
| Öèòèðàíèÿ
| 1. Òîäîðîâà, Ð. Îáó÷åíèåòî ïî èçîáðàçèòåëíî èçêóñòâî è ïðåïîäàâàíåòî íà ïåðñïåêòèâà â åâðîïåéñêàòà õóäîæåñòâåíà è îáðàçîâàòåëíà ïðàêòèêà - èñòîðè÷åñêè äàííè. Ãîäèøíèê íà ØÓ \"Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè\", Òîì XVII D, Øóìåí: ÓÈ \"Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè\", 2013, ñòð. 495-501, ISSN 1314-6769
Öèòèðàíî â:
Êëèìóêîâà, Í. „Íàòóðíîòî ðèñóâàíå – âîäåù ìåòîä íà îáó÷åíèåòî ïî èçîáðàçèòåëíî èçêóñòâî â ñïåöèàëèçèðàíèòå ó÷èëèùà ïî èçêóñòâàòà“. Ñáîðíèê „Ìèñúë, Ñëîâî, Òåêñò“, òîì 8 (14), íîâà ñåðèÿ, 2022, ñòð. 37-48, ISSN 2815-2816, ñ. 38, 41 |
06.01.2023 |
|
Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Äðóãè
| Öèòèðàíèÿ
| Todorova, R. The Migrating symbol: Vesica Piscis from the Pythagoreans to the Christianity. Proceedings of the 1-th International Conference „HARMONY OF NATURE AND SPIRITUALITY IN STONE“, held at 17-18 March 2011 in Kragujevac, Serbia, pp. 217-228
Cited in:
Compton, R. Venus and the Arts of Love in Renaissance Florence. Cambridge: Cambridge University Press, 2021, pp. 292, p. 33, 48 Online ISBN: 9781108913393, DOI: https://doi.org/10.1017/9781108913393 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
 íàó÷íî ñïèñàíèå
| Öèòèðàíèÿ
| Todorova, R. Icons as Maps: Cartographic Icons in Orthodox Art. EIKON IMAGO 7, (2015/1), pp. 13-30
Cited in:
Krasnova, A. „Early Athos and Sinai Engravings and Their Iconographic Sources: Icons, Proskynetarions, Geographical Maps”, Scientific and analytical journal Burganov House The space of culture, 17 (3), 2021, pp. 24-32, p. 27 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
Äðóãè
| Öèòèðàíèÿ
| Todorova, R. “Visualizing the Divine: Mandorla as a Vision of God in Byzantine Iconography”, IKON Journal of Iconographic Studies, 6, 2013, pp. 287-296
Cited in:
Compton, R. Venus and the Arts of Love in Renaissance Florence. Cambridge: Cambridge University Press, 2021, pp. 292, p. 33, 48 Online ISBN: 9781108913393, DOI: https://doi.org/10.1017/9781108913393 |
28.12.2022 |
|
Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
 ðåôåðèðàíè èçäàíèÿ
| Öèòèðàíèÿ
| Todorova, R. The Migrating symbol: Vesica Piscis from the Pythagoreans to the Christianity. Proceedings of the 1-th International Conference „HARMONY OF NATURE AND SPIRITUALITY IN STONE“, held at 17-18 March 2011 in Kragujevac, Serbia, pp. 217-228
Cited in:
Sparavigna, A. C. “A discussion of a geometric shape that became a symbol known as mandorla or vesica piscis, starting from a Pythagorean point of view”, SSRN Electronic Journal, January 2021, pp. 1-28, 10.2139/ssrn.3739111, p. 5, 6, 7, 11 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
|
 ðåôåðèðàíè èçäàíèÿ
| Öèòèðàíèÿ
| Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
Sparavigna, A. C. “A discussion of a geometric shape that became a symbol known as mandorla or vesica piscis, starting from a Pythagorean point of view”, SSRN Electronic Journal, January 2021, pp. 1-28, 10.2139/ssrn.3739111, p. 7 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Öèòèðàíèÿ
| Todorova, R. Icons as Maps: Cartographic Icons in Orthodox Art. EIKON IMAGO 7, (2015/1), pp. 13-30
Cited in: Ãåðãîâà, È. „Äî Éåðóñàëèì è îáðàòíî: òîïîãðàôèÿ è èêîíîãðàôèÿ íà ïîêëîííè÷åñòâîòî â Èçòî÷íîòî Ñðåäèçåìíîìîðèå (XVIII-XIX â.)”, Èçêóñòâîâåäñêè ÷åòåíèÿ 2020, òîì I. Ñîôèÿ: ÈÈÈ, ÁÀÍ, 2021, pp. 75-91, p. 77
Indexed in: (Web of Science) |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Öèòèðàíèÿ
| Todorova, R. Icons as Maps: Cartographic Icons in Orthodox Art. EIKON IMAGO 7, (2015/1), pp. 13-30
Cited in: Rajovic, I. „Pilgrimage and Visual Culture in 19th-Century Kosovo and Metohija”, Èçêóñòâîâåäñêè ÷åòåíèÿ 2020, òîì I. Ñîôèÿ: ÈÈÈ, ÁÀÍ, 2021, pp. 239-256, p. 242
Indexed in: (Web of Science) |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Òîäîðîâà, Ð. Êîíöåïòóàëèçàöèÿòà íà îáðàçèòå íà ñâ. ñâ. Êèðèë è Ìåòîäèé â èêîíîãðàôñêèÿ ìîäåë íà Íèêîëà Âàñèëåâ îò Øóìåí. Â: „Limes Slavicus 2: Êóëòóðíè êîíöåïòè íà ñëàâÿíñòâîòî“, Øóìåí: ÓÈ „Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè”, 2017, ñ. 78-95, ISSN 2603-3127
Cited in:
Ðàøåâà, È. Âúçðîæäåíñêèÿò „àíàõðîíè÷åí“ ðàçêàç çà ïîêðúñòèòåëíàòà ìèñèÿ íà ñâ. ñâ. Êèðèë è Ìåòîäèé â Áúëãàðèÿ. Ñîôèÿ: Îíãúë, 2021, 221 ñ., ISBN 978-619-7373-89-9, ñ. 161, 220 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Òîäîðîâà, Ð. Îò ñëîâî êúì îáðàç: êîÿ å ïúðâàòà èñèõàñòêà ìàíäîðëà? Ñáîðíèê \"Ïðåñëàâñêà êíèæîâíà øêîëà\", ò. ÕV, Øóìåí: ÓÈ „Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè”, 2015, ñòð. 427-446
Öèòèðàíî â:
Ìóòàôîâ, Å. Ìèòðîïîëèòñêèÿò õðàì „Ñâ. Ñòåôàí“ â Íåñåáúð è íåãîâèÿò õóäîæåñòâåí êðúã: êóëòóðåí êîíòåêñò, èíòåðòåêñòóàëíîñò è èíòåðâèçóàëíîñò. Äèñåðòàöèÿ çà ïðèñúæäàíå íà íàó÷íàòà ñòåïåí „äîêòîð íà íàóêèòå“. Èíñòèòóò çà èçñëåäâàíå íà èçêóñòâàòà – ÁÀÍ, Ñîôèÿ, 2022, 407 ñòð., 118 èë., ñ. 9-10 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Òîäîðîâà, Ð. Îò ñëîâî êúì îáðàç: êîÿ å ïúðâàòà èñèõàñòêà ìàíäîðëà? Ñáîðíèê \"Ïðåñëàâñêà êíèæîâíà øêîëà\", ò. ÕV, Øóìåí: ÓÈ „Åïèñêîï Êîíñòàíòèí Ïðåñëàâñêè”, 2015, ñòð. 427-446
Öèòèðàíî â:
Ìóòàôîâ, Å. Ìèòðîïîëèòñêèÿò õðàì „Ñâ. Ñòåôàí“ â Íåñåáúð è íåãîâèÿò õóäîæåñòâåí êðúã: êóëòóðåí êîíòåêñò, èíòåðòåêñòóàëíîñò è èíòåðâèçóàëíîñò. Ñîôèÿ: Ìàðèí Äðèíîâ, 2022, ISBN 978-619-245-180-6, ñ. 9-10 |
28.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Õóäîæåñòâåíîòâîð÷åñêà è ñïîðòíà äåéíîñò
| Èçïèñâàíå íà èêîíà „Ñâ. ïð. Äàíèèë“, ñåïòåìâðè 2022, ÷àñòíà êîëåêöèÿ |
09.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ñáîðíèê
| Õóäîæåñòâåíîòâîð÷åñêà è ñïîðòíà äåéíîñò
| Õóäîæíèê íà ñïèñàíèåòî çà ëèòåðàòóðà, êóëòóðà è èçêóñòâî „Íåáåò òåïå (Nobettepe)“, ãîä. 4, áð. 17, Ïëîâäèâ: Áúëãàðñêî-òóðñêè ëèòåðàòóðåí êëóá, 2022. ISSN 2603-5448 |
07.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. “Visualizing the Divine: Mandorla as a Vision of God in Byzantine Iconography”, IKON Journal of Iconographic Studies, 6, 2013, pp. 287-296
Cited in:
Krauze-Kolodziej, A. The Mosaic Complex on the West Wall of the Basilica Santa Maria Assunta on Torcello Island. Lublin: Wydawnictwo KUL, 2019, pp. 280, ISBN 978-83-8061-770-4, p. 116 |
05.12.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ñáîðíèê
| Äîêëàäè
| „Ìèñëè ãëîáàëíî, äåéñòâàé ëîêàëíî“: äâèæèìèòå êóëòóðíè õóäîæåñòâåíè öåííîñòè ñ ìåñòíî çíà÷åíèå â êîíòåêñòà íà íàöèîíàëíîòî êóëòóðíî-èñòîðè÷åñêî íàñëåäñòâî. Êíèãà ñ ðåçþìåòà íà Ìåæäóíàðîäåí ñèìïîçèóì „Îáðàçîâàíèå, ãåîãðàôèÿ è êóëòóðåí òóðèçúì“ â ÷åñò íà 60-ãîäèøíèíàòà íà ïðîô. ä.í. Ñòåëà Äåðìåíäæèåâà, 6.03.2022 ã. Â. Òúðíîâî: ÓÈ „Ñâ. ñâ. Êèðèë è Ìåòîäèé“, 2022, ñ. 108, ISBN 978-619-208-294-9 (Print) ISBN 978-619-208-295-6 (Online) |
07.04.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Èçâåñòèå
| Ñòàòèè
| Èêîíè íà ïîï Äèìèòúð îò Òðÿâíà îò õðàìà „Ñâ. Äèìèòúð“ âúâ Âúðáèöà. Èçâåñòèÿ íà Èñòîðè÷åñêèÿ ìóçåé-Øóìåí, Òîì 19. Â. Òúðíîâî: Ôàáåð, 2020, ñòð. 150-165, ISSN 0861-9581 |
23.02.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 íàó÷íî ñïèñàíèå
| Öèòèðàíèÿ
| Todorova, R. Orthodox Cosmology and Cosmography: The iconographic mandorla as Imago Mundi. EIKON IMAGO 6, (2014/2), pp. 77-94
Cited in:
Saeedzadeh, B., Amir Nasri. “Tracing the Black Sun in the Derridean Khoral Mise en Abyme:
elliptical reflections on the “word-space-flesh”, The quarterly of Journal of Philosophical Investigations (university of Tabriz), vol. 15 (Issue 36), 2021, pp. 400-416, p. 412, ISSN (online): 2423-4419, DOI: 10.22034/JPIUT.2019.29527.2117 |
20.02.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ñáîðíèê
| Öèòèðàíèÿ
| Todorova, R. Orthodox Cosmology and Cosmography: The iconographic mandorla as Imago Mundi. EIKON IMAGO 6, (2014/2), pp. 77-94
Cited in:
Germanidou, S., and Smaragdi Arvaniti. “The ‘Rose of the Winds’ Illustration in the Exultet I Bari Roll (c. 1025-1034) and Its Probable Neoplatonic Implications.” In En Sofia Mathitefsantes: Essays in Byzantine Material Culture and Society in Honour of Sophia Kalopissi-Verti, (eds. Charikleia Diamanti and Anastasia Vassiliou), Oxford: Archaeopress, 2020, pp. 100–111, p. 109, ISBN 978-1-78969-262-4, https://doi.org/10.2307/j.ctvwh8c42.13. |
20.02.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Senel, Z. “Makedonyada Komnenos donemi resim sanati: Kurbinovo Aziz Georgios Kilisesi”. Doctoral Dissertation from Anadolu Universitesi, Sosyal Bilimler Enstitusu. Eskisehir, 2019, 501 pp, p. 291 |
07.02.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
Baptista, R. D. P. Marfins de morsa na Europa Medieval (Seculos IX ao XII). MA Thesis of Fine Arts, Universidade de Lisboa, Faculdade de Letras, 2021, pp. 116, p. 28, 32, 34
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07.01.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Ó÷åáíè ïîìàãàëà
| Ïåðñïåêòèâà. I-âà ÷àñò. Â. Òúðíîâî: Ôàáåð, 2011, 144 ñòð., 71 èë.; ISBN: 978-954-775-477-4 |
07.01.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 ãîäèøíèê
| Ñòóäèè
| Ñëàâàòà íà Âúïëúùåíèåòî: Èêîíîãðàôñêàòà ñõåìà íà ñþæåòà „Ñâ. Áîãîðîäèöà Âëàõåðíèòèñà“, Ãîäèøíèê íà Ñîôèéñêèÿ óíèâåðñèòåò „Ñâ. Êëèìåíò Îõðèäñêè“, Ôàêóëòåò ïî íàóêè çà îáðàçîâàíèåòî è èçêóñòâàòà, Êíèãà èçêóñòâà, Òîì 114, Ãîäèíà II, 2021, ISSN 2738-7062, ñ. 267-288 |
07.01.2022 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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 íàó÷íî ñïèñàíèå
| Ñòàòèè
| Çà ïî÷åðêà íà åäèí èêîíîïèñåö: íåïóáëèêóâàíà èêîíà „Ñâ. Ìèíà ñ èçáðàíè ñâåòèè“ íà Íèêîëà Âàñèëåâ îò Øóìåí. Âèçóàëíè èçñëåäâàíèÿ. Ñïèñàíèå çà èçêóñòâî., áð. 2/2021, ñòð. 37-43, ÂÒÓ, 2021, ISSN 2535-101X |
17.12.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
Hemme, R. C. Visual Catechesis: Utilizing Pictorial Illustrations to Facilitate Learning and Retention of Protestant Doctrine in the United States. MA Thesis of Fine Arts, Liberty University, Florida, 2021, pp. 233, p. 174, 197 |
17.12.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Õóäîæåñòâåíîòâîð÷åñêà è ñïîðòíà äåéíîñò
| Çèìåí ñàëîí íà ÄØÕ, äåêåìâðè 2021, ÕÃ „Åëåíà Êàðàìèõàéëîâà“, Øóìåí |
17.12.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Ñ èìïàêò ôàêòîð
| Öèòèðàíèÿ
| Todorova, R. Orthodox Cosmology and Cosmography: Iconographic Mandorla as Imago Mundi. Twelfth Symposium Nis and Byzantium, 3-6 June 2013, Collection of Scientific Works XII, Nis: NKC, 2014, pp. 143-154
Cited in:
Walker, M. “Allegory and the Body as Icon: Evelyn Underhill and Barbara Brown Taylor”, Feminist Theology, Online Issue, November 2021, First Published 10 Nov 2021, https://doi.org/10.1177/09667350211055450 |
16.11.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, pp. 199-223
Cited in:
Fenucci, L. Archeology of ‘Heterosexuality’ in the Late Middle Ages. A Study of Late Medieval ‘heterosexuality’ in the Low Countries through the lens of the sexual bagdes. MA Thesis, Vrije Universiteit Brussel, 2021, pp. 163, p. 67 |
19.10.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. The Migrating symbol: Vesica Piscis from the Pythagoreans to the Christianity. Proceedings of the 1-th International Conference „HARMONY OF NATURE AND SPIRITUALITY IN STONE“, held at 17-18 March 2011 in Kragujevac, Serbia, pp. 217-228
Cited in:
Albino, Manuel Antonio Carneiro Gaspar de Mello. “Contributos para o estudo semiotico das representacoes geometricas da realidade: a semantica da materia e a geometria como expressao”. PhD Thesis, Universidade do Minho, Instituto de Ciencias Socials, 2016, 589 pp., pp. 381, 384 |
20.08.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. Todorova, R. The Aureole and the Mandorla: Aspects of the Symbol of the Sacral from Ancient Cultures to Christianity. Studia Academica Sumenensia, 3, 2016, pp. 199-223
Cited in:
Kellner, Ch. „Tierdarstellungen mit Nimbus in der Illustration arabischer und persischer Handschriften des 13. und 14. Jahrhunderts“. MA Thesis in Art History from University of Vienna, 2018 (Masterarbeit, Universitat Wien. Historisch-Kulturwissenschaftliche Fakultat), 171 pages, p. 23, 25, 140
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28.07.2021 |
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Ïðîô. ä-ð Ðîñòèñëàâà Ãåîðãèåâà Òîäîðîâà-Åí÷åâà
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Äðóãè
| Öèòèðàíèÿ
| Todorova, R. “New Religion – New Symbolism: Adoption of Mandorla in the Christian Iconography”, Collection of Scientific Works IX, NIS AND BYZANTIUM - “Towards the celebration of the Edict of Milan anniversary”, Nis: NKC, 2011, pp. 47-64
Cited in:
Kellner, Ch. „Tierdarstellungen mit Nimbus in der Illustration arabischer und persischer Handschriften des 13. und 14. Jahrhunderts“. MA Thesis in Art History from University of Vienna, 2018 (Masterarbeit, Universitat Wien. Historisch-Kulturwissenschaftliche Fakultat), 171 pages, p. 140
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28.07.2021 |
